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POP MUSIC REVIEW
Spontaneity Makes Rare Appearance as Unrecorded Tunes Face Club
By MIKE BOEHM, TIMES STAFF WRITER
Los Angeles Times Wednesday January 21, 1998
Orange County Edition
Calendar, Page 2
Type of Material: Concert Review
LONG BEACH--The nice thing about the opening night of Song Shop was that the
merchandise wasn't prefabricated and predigested.
Mike Martt, a veteran of many ups and downs and stylistic turns on the
Southern California rock and folk scenes, launched the monthly series
Monday at the Blue Cafe with guests Bill Bottrell, David Baerwald and
After many years as a sidekick, Martt showed what he could do as a
front man last year on the warmly sympathetic, consistently well-written
debut album by the Low & Sweet Orchestra. Bottrell and Baerwald are best
known as key collaborators on Sheryl Crow's hugely successful "Tuesday
Night Music Club" album. (They co-wrote most of the songs with Crow and
backed her instrumentally; Bottrell was the producer.) The third Song
Shop guest, Jones, is a young newcomer Martt met at a Long Beach
The premise of Song Shop is deliberately open-ended: Put some
songwriters in front of an audience and see what happens. Martt is hoping
for collaboration and fresh invention, possibly even some on-the-spot
That didn't happen, but the unexpected and the spontaneous, those
unruly guests who are pointedly uninvited at most pop performances,
settled in early and hung around.
The Shop keepers challenged the audience with a program of almost
exclusively unrecorded material, each singer taking four turns. The one
sally into hitsville was memorable. Baerwald alluded to the bitter
feelings that erupted after Crow's album became a hit. She became a star,
and her collaborators felt pushed aside as she toured with other
Baerwald cracked up laughing as he tried to play Crow's "Strong
Enough," then declared that he had "no hard feelings," after all. He
tried again with "Leaving Las Vegas" but sounded awkward and strained.
Then Bottrell showed why producers matter. He jumped into the vocal
lead and roughly but effectively hammered out the song's riff on guitar.
Baerwald fell nicely into harmony, Martt and Jones strummed along, and,
presto: a nice bit of unplanned, uncalculating, spontaneous music-making.
Baerwald, who has had three solo or duo albums in 11 years, was not
strained on his other numbers. His tenor rang clear and expressive on
songs that hit on his core subject, humanity's knack for undermining
itself. In lesser hands, "Wild Wild West" would be just another view of
mean streets getting meaner. Baerwald dug deep into the bewilderment and
sense of complicity that envelops everyone when chronic social ills go
Martt also sang of life in the underbelly, but from a gentler
perspective. If Baerwald confronted gutter life as a probing Mike
Wallace, Martt was a folksy Charles Kuralt, singing in his crusty, warm
voice about one-on-one encounters with broken, booze-soaked people who
Producers don't always produce. Bottrell tried but failed to prod a
performance from a woman he pulled off a bar stool and onto the stage
after she interrupted one of Baerwald's songs.
Producers don't always perform well, either, but Bottrell did, with a
politicized urgency that found him swinging between a Dylanesque bardic
scale (his dominant mode) and a wispy Neil Young folkishness. His songs,
tackling such subjects as polluted waterways and desolate street-scapes,
had enough imagery and hooks to intermittently lift them off the soapbox.
Jones' songs tended toward repetition and sprawl that an able producer
such as Bottrell might be able to hone. There was material worth honing
in a couple of anthemic folk songs, which benefited from Jones'
forthright, theatrical singing style.
Martt didn't try to structure conversation into the 90-minute show. A
bit more talk about the songs would be good, but Song Shop concept
doesn't need much tinkering. Get some people who care about writing and
singing songs and see what happens.
Song fans can go Shopping again on Feb. 16, when Martt's guests will
include his former mate in Thelonious Monster, Bob Forest, and Beth
Carmellini of the band Red Five.
Copyright, The Times Mirror Company; Los Angeles Times, 1998.
MIKE BOEHM, POP MUSIC REVIEW; Unplanned Melody; Spontaneity Makes Rare Appearance as
Unrecorded Tunes Face Club Audience; Orange County Edition., Los Angeles Times, 01-21-1998, pp
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