No problemo, and just a small tip... When writing strings (or any kind of pad) NEVER PLAY CHORDS.
The chords should emerge from single lines operating at intervals from one another--essentially
individual melody lines that move together like a school of fish or a flock of birds. Use your matrix
editor (the piano roll thingy) to keep them lined up nice and proper. Let their entries and exits be
inconsistent with each other (as long as it's within a 32nd note or so), and use a volume pedal to ramp
in and out of your orchestration lines. Also, the difference between major and minor is in the third--
(the Mi of Do Re Mi) Major is "Mi". Minor is a flatted "Mi", ie a half step down. But you probably knew
that. Anyhoo, enjoy!
B
Baerwald
(view)
No problemo, and just a small tip... When writing strings (or any kind of pad) NEVER PLAY CHORDS.
The chords should emerge from single lines operating at intervals from one another--essentially
individual melody lines that move together like a school of fish or a flock of birds. Use your matrix
editor (the piano roll thingy) to keep them lined up nice and proper. Let their entries and exits be
inconsistent with each other (as long as it's within a 32nd note or so), and use a volume pedal to ramp
in and out of your orchestration lines. Also, the difference between major and minor is in the third--
(the Mi of Do Re Mi) Major is "Mi". Minor is a flatted "Mi", ie a half step down. But you probably knew
that. Anyhoo, enjoy!
posted 2008.04.29
posted on April 29th 2008
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Jeff Wells’ “Late – jeff_wells on April 25th, 2008-
Re: Jeff Wells’ “Late – Eugene on April 25th, 2008
Re: Jeff Wells’ “Late – Dan on April 25th, 2008-
Re: Jeff Wells’ “Late – jeff_wells on April 26th, 2008
Re: Jeff Wells’ “Late – Baerwald on April 27th, 2008
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