Well . . . I dunno. For a poetry reading, I think I'd generally rather hear the poet, whether he/she is a fantastically gifted reader or not. Here I'll duck back onto Ed's comment that there's nothing quite like hearing the poet reading his/her own stuff.It seems to me that a dramatic interpretation from a different party is its own distinctive art form. To be appreciated, for sure, but distinct from the authorial voice, and from the "moment" created in the hearing of that voice.But I still want poets to avoid talking into their chests, hiding behind their bangs, eschewing microphones in rooms too large for that . . . that kind of thing.Herring405
H
Herring405
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Well . . . I dunno. For a poetry reading, I think I'd generally rather hear the poet, whether he/she is a fantastically gifted reader or not. Here I'll duck back onto Ed's comment that there's nothing quite like hearing the poet reading his/her own stuff.It seems to me that a dramatic interpretation from a different party is its own distinctive art form. To be appreciated, for sure, but distinct from the authorial voice, and from the "moment" created in the hearing of that voice.But I still want poets to avoid talking into their chests, hiding behind their bangs, eschewing microphones in rooms too large for that . . . that kind of thing.Herring405
